Biiiiirds

Birds have been my subjects for nearly two decades, but I have never stopped being astonished by them. There is something about the way a raptor reads the air, or the geometry a flock of starlings draws against a winter sky, that resists familiarity. Every session in the field is a renegotiation — with the light, with the season, with whatever patience I have managed to cultivate. The camera is only the last step in a long process of looking.

My work lives in the space between documentary and fine art. I care about accuracy — I want you to recognize the species, to feel the specific quality of the light at that hour, to sense the weight of the air. But I care more about the feeling a photograph transmits: the held breath before the dive, the particular solitude of a bird standing alone in a vast landscape. If a photograph makes you pause, if it asks something of you, then I've done what I set out to do.